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23 March 2009
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Guitar Idol
returns to the spotlight with
his first solo album in nearly six
years
Paul Jackson Jr.’s Lay It Back growing at radio, the
multi-dimensional guitarist lining up concert dates following his American Idol band performances
In
between juggling duties as the guitarist in the American Idol all-star band and
being a first-call session player who has performed on best-selling albums by
many of the biggest stars in popular music, Paul Jackson Jr. carved out time to ply
his immense “guitarisma” on his first solo collection in nearly six years. Lay
It Back, released last Tuesday (March 17) by Branch Records, Inc., is his seventh
solo collection of soulful R&B, contemporary jazz excursions, cuddle-up
close pop ballads and contemplative blues jams. Jackson Jr. produced or co-produced the
fourteen selections that comprise the album for which he wrote or co-wrote ten
compositions, one of which is the title track. The cut, featuring incendiary cool jazz
riffs laid in rapid-fire succession back of a funky shuffle beat, is a Cornelius Mims collaboration that is
currently ascending the radio charts.
Jackson Jr. entered the recording studio for the Lay It Back sessions with two
goals. First, he desired to create
music brimming with passion that resonates with listeners in a more meaningful
way. Second, he strived to propel
his songwriting, production and performances to the next level, no easy task
after his last solo disc, Still Small Voice, spawned his first
#1 single, a cover of the Motown classic, “It’s A Shame.” Aside from the tracks he produced alone,
Jackson Jr. shared productions chores with Mims, Jeff Lorber, Rex Rideout, Jeff Carruthers and Dave Delhomme. With a BlackBerry full of gifted
musicians to call upon, some of those texted to bring Lay It Back to life were Jackson Jr.’s
mentor Patrice Rushen (piano),
keyboardist Bobby Lyle, bassist Alex Al, vocalist James Reese, Ray Brown (Earth, Wind & Fire horns) and The Rickey Minor Band, the latter with
which Jackson Jr. performs on American
Idol, award shows (Grammy Awards,
NAACP Image Awards) and at various
special events and television shows.
In
addition to radio programmers welcoming the arrival of new music by Jackson Jr.,
so have reviewers. JazzTimes wrote, “On his latest, which
features bigwig studio cats like bassist Alex Al, drummer Teddy Campbell and pianist Herman Jackson, Jackson throws in the
obligatory covers—Stevie Wonder’s
“Don’t You Worry ’Bout a Thing” and the
Commodores’ “Easy”—but the real meat comes with a generous selection of 12
originals, with Jackson’s electric, easy-gliding guitar singing along. They include ‘2 For 10,000’ with guest
pianist Bobby Lyle, the playful ‘Lucy the Cat,’ the real blues of ‘Fourteen
’Til’ and the Top 40 stylings of ‘Hit It.’” Urban Network stated, “The project
opens with a powerful 1-2 punch of ‘The Workout’ (a collabo with Jeff Lorber)
and the title track ‘Lay It Back’ (a collabo with Cornelius Mims)…Also of note
are ‘Ballad for Uncle Ronnie’ (a tribute to his one-time boss Luther Vandross…) the funky ‘Swing
It’…and best of all, a collabo with the ever-ubiquitous soul-jazz producer Rex
Rideout titled ‘Hind’s Feet.’”
Although committed to his American Idol band duties through the
show’s May 20th finale, Jackson Jr. will sneak out with Lyle to
perform a tribute to his idol Wes
Montgomery and Jimmy Smith at
the Berks Jazz Festival in Pennsylvania on April 3rd. After American Idol wraps, Jackson Jr. will
play in the band backing a stellar cast on VH1’s Divas Live. On June 23rd, he’ll team with
Abe Laboriel, Tom Brooks and others at a benefit at
Orange County’s Saddleback Church. In July, Jackson Jr. will lead his own
band at California dates at the Agua Dulce Winery in Santa Clarita on the
11th and at the Broadway Plaza Summer Jazz Series in
Walnut
Creek on the
23rd. Jackson Jr., Chuck Loeb and Chieli Minucci form the potent triple
guitar assault unit billed as Guitarzz
that will perform September 6th at the Heritage Jazz Festival in
Nashville, Tennessee.
Respected for his musical diversity, agility and
precision, Jackson Jr. has played on over one thousand albums that amount to
over 90 million records sold. His
remarkable discography lists recording with Vandross, Michael Jackson, Quincy Jones, Steely Dan, Sir Elton John, Whitney Houston, Celine Dion, Madonna, Rod Stewart, Barbara Streisand, Queen Latifah, Yolanda Adams, Ray Charles, Natalie Cole, Ella Fitzgerald, Sergio Mendes, Smokey Robinson, Anita Baker, Barry Manilow, Bette Midler, Bobby Brown, Dionne Warwick, Kenny Rogers, Teddy Pendergrass, The Temptations, Julio Iglesias, Luis Miguel, Donna Summer, The Pointer Sisters, Chicago, George Duke, Stanley Clarke, Tom Scott, Will Downing, Richard Elliot, Dave Koz, David Benoit, Boney James, Gerald Albright, Kirk Whalum and Brian Culbertson. In addition to American Idol, Jackson Jr. can be seen
on television performing on America’s Got Talent and Don’t Forget The Lyrics. The last two years, he composed the
theme song for the NAACP Image Awards
and has played on more than a dozen movie and television soundtracks including
Undercover Brother, for which he
co-wrote the theme song, and The Martin Lawrence Show, on which
he served as musical director.
Additionally, Jackson, Jr. was the musical director for the Icon Awards honoring Berry Gordy, which featured
performances by Wonder, Robinson, Lionel
Richie, and Herbie
Hancock. Additional information is available
at www.pauljacksonjr.com.
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10 February
2009
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Back with a
vengeance: Paul Jackson Jr. returns to the spotlight
The soul-jazz guitarist’s
Lay It Back streets March 17, title
track shipped to radio
It’s been nearly six years since Paul Jackson Jr. scored a #1 single at
contemporary jazz radio with his version of the Motown classic, “It’s A
Shame.” Since then you’ve seen him
deploy his chameleon-like “guitarisma” on American Idol each week and on other
national television shows, including the Grammy Awards and the NAACP Image Awards. He’s one of the most recorded guitarists
who has literally played on more than a thousand albums for a library list of
legends including the best-selling album of all-time, Michael Jackson’s Thriller. Jackson Jr. is finally reassuming center
stage armed with his seventh solo album, Lay
It Back, which will be released March 17th on the newly
formed Branch Records, Inc. The title cut, a bumpin’ bottom-end
R&B groove in an edgy futuristic setting from which Jackson Jr. dispenses
cool jazz riffs, was sent to radio with a February 16th add date
although it’s already amongst the most added singles on the Radio & Records chart.
While diversity is the name of the game in his role as a
first-call session guitarist, when it comes to his own recordings Jackson Jr.
immerses himself fully in urban-flavored contemporary jazz. His warm organic guitar sound and
passionate style of play are inspired whether the setting on Lay It Back is R&B, jazz, pop or
blues. Jackson Jr. produced or
co-produced the fourteen songs that comprise the album for which he wrote or
co-penned ten selections. On the
tracks he didn’t produce alone, he shared the duties with Jeff Lorber, Rex Rideout, Jeff Carruthers, Cornelius Mims and Dave Delhomme. Amongst the talented musicians
contributing to the tracks were Jackson Jr.’s mentor Patrice Rushen (piano), keyboardist Bobby Lyle, bassist Alex Al, vocalist James Reese, Ray Brown (Earth, Wind & Fire horns) and The Rickey Minor Band, the latter of
which Jackson Jr. performs with on American Idol, award shows and at
various special events. Some of the
tracks were recorded with Jackson Jr.’s funky band of gifted session players,
which fostered a live sound.
Throughout the disc, Jackson Jr. alternates between leading with an
electric or an acoustic guitar.
Heat was added to the tracks by utilizing more horn section parts than
he’s used in the past. A pair of
Lorber collaborations – “The Workout” and “Lucy The Cat” – are aggressive funk
jams. “To Be Like Him” is a
gorgeous heartfelt ballad while “Bay Shore Drive” is an inviting excursion through familiar
territory. Another standout is the
poignant “Ballad For Uncle Ronnie,” which is dedicated to Luther Vandross. Jackson Jr. takes listeners back to his formative years with a
couple of faithful covers, Stevie
Wonder’s “Don’t You Worry ‘Bout A Thing” and Lionel Richie’s “Easy (Like Sunday
Morning).”
“Lay It Back is the culmination of a
year-and-a-half of serious work. I
think it’s the next level from Still Small Voice (Jackson Jr.’s
last album). I wanted to build on
that foundation yet write better songs, play better and musically take it to the
next level,” explained Jackson Jr.
“Another thing that I consciously did while recording this album was
attempt to really make people feel something with my music. I hope the music resonates with
listeners on a deeper level.”
Born and raised in Los Angeles, Jackson Jr. started playing the guitar at age 11 and
decided to become a professional at 15 when he first recorded. In addition to the mentorship he
received from his neighbor, Rushen, Jackson Jr. majored in music at USC. Aside from Wes Montgomery, many of his influences
– George Benson, Earl Klugh, Lee Ritenour and Ray Parker Jr. – became mentors and
encouraged him in his chosen career path.
Known for the meticulous fretwork which he delivers with intensity and
precision, Jackson Jr. has played on platinum- and gold-selling albums that have
sold over 90 million copies. His
extraordinary discography includes recording with Michael Jackson, Vandross, Quincy Jones, Steely Dan, Sir Elton John, Whitney Houston, Celine Dion, Madonna, Rod Stewart, Barbara Streisand, Queen Latifah, Yolanda Adams, Ray Charles, Natalie Cole, Ella Fitzgerald, Sergio Mendes, Smokey Robinson, Anita Baker, Barry Manilow, Bette Midler, Bobby Brown, Dionne Warwick, Kenny Rogers, Teddy Pendergrass, The Temptations, Julio Iglesias, Luis Miguel, Donna Summer, The Pointer Sisters, Chicago, George Duke, Stanley Clarke, Tom Scott, Will Downing, Richard Elliot, Dave Koz, David Benoit, Boney James, Gerald Albright, Kirk Whalum and Brian Culbertson. In addition to American Idol, Jackson Jr. can be seen
performing on America’s Got Talent and Don’t Forget The Lyrics. He composed the theme song for the NAACP Image Awards and has played on
more than a dozen movie and television soundtracks including Undercover Brother, for which he
co-wrote the theme song, and The Martin Lawrence Show, on which
he served as musical director. With
six albums previously released by Atlantic Records and Blue Note Records, Jackson Jr. is
excited about refocusing on his solo career with the launch of Lay It Back on his family-run record
label. Additional information is
available at www.pauljacksonjr.com.
The
songs contained on Jackson Jr.’s Lay It
Back are:
“The Workout”
“Lucy The Cat”
“Lay It Back”
“Bay Shore
Drive”
“Don’t You Worry ‘Bout A Thing”
“Hind’s Feet”
“To
Be Like Him”
“Easy (Like Sunday Morning)”
“2
For 10,000”
“Swing It”
“Ballad For Uncle Ronnie”
“Hit It”
“Can This Be Real?”
“Fourteen ‘Til”
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JUNE 26, 2003
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PAUL JACKSON JR.'S "STILL SMALL VOICE" GROWING
It's a pair of lucky sixteens for soul-jazz guitarist Paul Jackson Jr.'s, who released his new CD "Still Small Voice" on Blue Note Records last month. Jackson Jr.'s sixth solo collection is climbing Billboard's contemporary jazz album chart and will occupy the sixteenth position next week. The first single, a cover of The Spinners' classic "It's A Shame," has risen to the sixteenth position on Radio & Records' smooth jazz radio chart.
West Coast music trade Music Connection reviewed "Still Small Voice" and scribe Jonathan Widran wrote: "A decided advantage to being one of the industry's most famous session cats is working with folks just as legendary, and Jackson complements his best smooth jazz/funk compositions and most diverse guitar grooves ever with the sharp ensembling energies of an amazing group. There's a more organic, live sound than on previous, more machine-generated discs, nice dashes of spirituality and nods to Latin music featuring Jackson's musical impressions of South Central L.A."
Recently Jackson Jr. has been getting plenty of television time thanks to a feature segment on Smooth Jazz Television and appearances on VH1's "Diva Duets" and NBC's "Fame." On the concert stage, the Grammy nominated artist made his Hollywood Bowl debut on June 14 at the Playboy Jazz Festival, where he shared the stage with a stellar collective billed as the L.A. Homegrown All-Stars (Jackson Jr., Patrice Rushen, Tom Scott, Ernie Watts, and Ndugu Chancellor).
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MAY 20, 2003
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NO "SHAME" IN PAUL JACKSON JR.'S GAME
Soul-jazz guitarist releases "Still Small Voice" album,
"It's A Shame" rising up the radio singles chart
Blue Note Records guitarist Paul Jackson Jr. released his sixth solo album today (May 20). Entitled "Still Small Voice," Jackson Jr. has a gift for deftly lying down cool jazz grooves and funky R&B riffs with the grace and sophistication of a Renaissance master. Smooth jazz radio waves have been grooving to Jackson Jr.'s buoyant version of The Spinners' chestnut "It's A Shame," which is presently moving up the radio chart and has been amongst the most added tracks at radio each week.
Ever since he arrived on the scene in the late 70's, Jackson Jr. has been the session player of choice for the likes of Michael Jackson, Whitney Houston, Steely Dan, Madonna, Celine Dion, Quincy Jones, Destiny's Child, Mary J. Blige, Elton John, Barbra Streisand, Luther Vandross, Ella Fitzgerald, Aretha Franklin and Brian McKnight amongst others. With "Still Small Voice," the Grammy nominated artist has crafted what sounds like a breakthrough collection that bodes to elevate his solo career to new heights. Jackson Jr. was involved with writing and producing eleven songs for the disc and he tapped equally stellar musicians such as Gerald Albright, Brian Culbertson, Jeff Lorber, Patrice Rushen, Sheila E., Harvey Mason, Billy Preston and the Earth, Wind & Fire horn section (Ray Brown, Gary Bias & Reggie Young) to record the tracks. In addition to the first single, album highlights include the Latin dancer "Dios Te Bendiga," which marks the first time Jackson Jr. deployed an acoustic guitar lead on a solo album; "Walkin'," a radio-friendly composition that Jackson Jr. co-wrote & co-produced with Culbertson; and the album closing cover version of McKnight's amorous "Back At One."
About the album title, the spiritually inspired Jackson Jr. explained, "There's always so much noise going on in our heads, but when we are able to quiet our thoughts and look within, we hear the infallible guidance of the still small voice of intuition. It's always there. We simply have to improve our listening. By following it, we'll always know which path to take (in life)."
Jackson Jr. will make his Hollywood Bowl debut on June 14 in Los Angeles at the Playboy Jazz Festival, where he'll take the stage playing with a one-time only collective called the L.A. Homegrown All-stars, which includes Rushen, Tom Scott, Ernie Watts and Ndugu Chancellor. Concert appearances by Jackson Jr. with his own band will be announced soon. Meanwhile, catch him on an upcoming episode of Smooth Jazz Television, which is syndicated in major U.S. cities.
Paul Jackson Jr.'s "Still Small Voice" album consists of the following tracks:
"Still Small Voice"
"Blue Note"
"Dios Te Bendiga"
"Walkin'"
"It's A Shame"
"Park Tour Intro"
"Athens Park"
"Crystal Park"
"Sportsman Park"
"1:15"
"Lillian"
"Changed"
"Back At One"
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MARCH 12, 2003
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SOUL-JAZZ GUITARIST PAUL JACKSON JR. TO SHARE HIS INTIMATE "STILL SMALL VOICE" ON MAY 20th
Blue Note artist's sixth album will be prefaced by "It's A Shame"
On May 20th, Blue Note will release the sixth solo album from soul-jazz guitarist Paul Jackson Jr. entitled "Still Small Voice." Prelude to the album release will be the first radio single, a bright and snappy version of The Spinners' classic, "It's A Shame," featuring the Earth, Wind & Fire horn section (Gary Bias, Ray Brown and Reggie Young), which will go for adds at smooth jazz radio on April 21. Jackson Jr. had a hand in the writing and production of eleven songs for the album. To help bring the compositions to life, he was joined in the studio by a stellar supporting cast including Gerald Albright, Brian Culbertson, Sheila E., Jeff Lorber, Harvey Mason, Billy Preston, and Patrice Rushen. The album, which stylistically contains elements of R&B, jazz, soul, pop, and gospel, sounds like the well-deserved breakthrough collection that the highly in-demand sideman has had waiting to emerge for years.
Ever since the late 70's, Jackson Jr. has been recording and/or touring with the icons of popular music including Michael Jackson, Madonna, Celine Dion, Destiny's Child, Quincy Jones, Mary J. Blige, Elton John, Whitney Houston, Barbra Streisand, Ella Fitzgerald, Aretha Franklin, Luther Vandross, and Brian McKnight (Jackson Jr. closes the new album with a soulful version of McKnight's hit "Back At One"). Spiritual and inspired, Jackson Jr. relishes recording his own albums because it allows him the opportunity to explore his own musical expression as a writer and producer, not just as an ace guitarslinger. "Still Small Voice" is a different type of album for the Grammy nominee.
"This record speaks to me differently," said Jackson Jr. "Musically it's got more of a raw, organic feel and I took more chances on this one. For instance, I never recorded a song where I played acoustic guitar like I did on 'Dios Te Bendiga.' Many people I respect have said that perhaps it is my best album yet. I dug deeper creatively and explored new directions. Hopefully the album speaks to people like it speaks to me."
The songs on Paul Jackson Jr.'s "Still Small Voice" album are:
"Still Small Voice"
"Blue Note"
"Dios Te Bendiga"
"Walkin'"
"It's A Shame"
"Park Tour Intro"
"Athens Park"
"Crystal Park"
"Sportsman Park"
"1:15"
"Lillian"
"Changed"
"Back At One"